I found myself a little over excited by this discovery (while researching in The British library) of Little Red Riding Hood in a Chapbook published in 1810 in London. Chapbooks were small pamphlets sold by peddlers door to door and at markets and fairs and were precursors today's picture books. There is no happy ending with the grandmother and little red being rescued in this early version.
Showing posts with label Charles Perrault. Show all posts
Showing posts with label Charles Perrault. Show all posts
Saturday, 16 April 2016
Little Red Riding Hood 1810 Chapbook.
I found myself a little over excited by this discovery (while researching in The British library) of Little Red Riding Hood in a Chapbook published in 1810 in London. Chapbooks were small pamphlets sold by peddlers door to door and at markets and fairs and were precursors today's picture books. There is no happy ending with the grandmother and little red being rescued in this early version.
Saturday, 27 December 2014
Review
My research and enquiry into Little Red Riding Hood has proved in a very short time to be a path with multiple destinations, dead ends and deviations, which has added to the fun and interest.
This blog has given me the space to really focus my research and practice in this subject. I have explored the literary history which is fascinating in terms of the social, economic, political and personal circumstances of Charles Perrault and Jacob and Wilhelm Grimm, but also the storytellers, singers and culture that gave them the oral versions of folk tales.
The research has led to my discovery of the work of many folklorists and academics particularly Jack Zipes and Alan Dundes whose life's work has often been dedicated to discovering and discussing the origins, evolution and interpretations of these tales and their influence and reflection of our culture.
The subject of Little Red Riding Hood is compelling due to its continuing re-evaluation, evolution and interpretation up to present day. From its oratory origins, through its literary stabilization and anchorage in the 17th and 18th century through to its pictorial interpretation which extends and adapts the story, it's meaning and continuing relevance, through genres of illustration, photography, animation and film to name a few.
I did not want my study to be a dry and wordy examination of the subject as I am an artist and illustrator and it is the imagery of this subject that drives my research and interest.
Therefore I have attempted to layer the more heavy research articles, history and insights among introductions, interviews and articles on illustration, contemporary and historic.
Often there is very little information on illustrators and their work. I have attempted to address this by requesting statements from contemporary illustrators about their engagement with this story and insights to their approach and relationship with the story. The illustrators are from all over the world and sometimes they have given very thoughtful detailed responses and other times just tiny insights but they all add to the richness of the subject as well as to the contemporary relevance of the research.
As I intend to proceed with this blog beyond the requirements of my studies, I have allowed myself to explore odd paths such as the story of Dorothea Viehmann (story teller to the Grimms). More for the joy of discovering and sharing her story than it's relevance to Little Red as it is doubtful that she supplied the Grimms with this tale.
I have where possible labeled posts with the date of the illustrations, so that a time line will evolve as my work progresses. I have many posts in draft form awaiting further information, either directly from the artist or from further research or resourcing through books.
I look forward to consolidating these as I progress.
As far as my practice I think that the research has fed my ideas and passion for the subject immensely and I look forward to continuing my research, building a resource and further crafting my own interpretations.
This blog has given me the space to really focus my research and practice in this subject. I have explored the literary history which is fascinating in terms of the social, economic, political and personal circumstances of Charles Perrault and Jacob and Wilhelm Grimm, but also the storytellers, singers and culture that gave them the oral versions of folk tales.
The research has led to my discovery of the work of many folklorists and academics particularly Jack Zipes and Alan Dundes whose life's work has often been dedicated to discovering and discussing the origins, evolution and interpretations of these tales and their influence and reflection of our culture.
The subject of Little Red Riding Hood is compelling due to its continuing re-evaluation, evolution and interpretation up to present day. From its oratory origins, through its literary stabilization and anchorage in the 17th and 18th century through to its pictorial interpretation which extends and adapts the story, it's meaning and continuing relevance, through genres of illustration, photography, animation and film to name a few.
I did not want my study to be a dry and wordy examination of the subject as I am an artist and illustrator and it is the imagery of this subject that drives my research and interest.
Therefore I have attempted to layer the more heavy research articles, history and insights among introductions, interviews and articles on illustration, contemporary and historic.
Often there is very little information on illustrators and their work. I have attempted to address this by requesting statements from contemporary illustrators about their engagement with this story and insights to their approach and relationship with the story. The illustrators are from all over the world and sometimes they have given very thoughtful detailed responses and other times just tiny insights but they all add to the richness of the subject as well as to the contemporary relevance of the research.
As I intend to proceed with this blog beyond the requirements of my studies, I have allowed myself to explore odd paths such as the story of Dorothea Viehmann (story teller to the Grimms). More for the joy of discovering and sharing her story than it's relevance to Little Red as it is doubtful that she supplied the Grimms with this tale.
I have where possible labeled posts with the date of the illustrations, so that a time line will evolve as my work progresses. I have many posts in draft form awaiting further information, either directly from the artist or from further research or resourcing through books.
I look forward to consolidating these as I progress.
As far as my practice I think that the research has fed my ideas and passion for the subject immensely and I look forward to continuing my research, building a resource and further crafting my own interpretations.
Monday, 27 October 2014
Sarah Moon
Fig 1 (above) Photograph from Sarah Moon's Little Red Riding Hood 1983
Fig 2 (above) Fig 3 (below) Photograph from Sarah Moon's Little Red Riding Hood 1983
Sarah Moon (1941- ) is a photographer who sets many of her photographs within the frame of a fairy story. In 1983 she published her photo-illustrated version of Charles Perrault's Little Red Riding Hood. Sarah Moon's photographs place Little Red in an urban setting, cobbled streets flanked with terraced houses. These photographs with her daughter as 'Little Red' are very like stills from the early days of cinematography, with all of the heightened drama of the silent film.
References:
Fig 1: Photograph from Sarah Moon's Little Red Riding Hood 1983 http://www.style.com/culture/style-map/2014/sarah-moon-little-red-riding-hood-book
Fig 2 Photograph from Sarah Moon's Little Red Riding Hood 1983 http://gem-a-day.blogspot.co.uk/2010/04/le-petit-chaperon-rouge-ii.html
Fig 3 Photograph from Sarah Moon's Little Red Riding Hood 1983 http://samantatamborini.blogspot.co.uk/2012/11/samy-in-wonderland-firstepisode.html
http://en.wikipedia.org/wiki/Sarah_Moon
http://www.photoeye.com/bookstore/citation.cfm?catalog=ZC129&i=&i2=
Fig 2 (above) Fig 3 (below) Photograph from Sarah Moon's Little Red Riding Hood 1983
Sarah Moon (1941- ) is a photographer who sets many of her photographs within the frame of a fairy story. In 1983 she published her photo-illustrated version of Charles Perrault's Little Red Riding Hood. Sarah Moon's photographs place Little Red in an urban setting, cobbled streets flanked with terraced houses. These photographs with her daughter as 'Little Red' are very like stills from the early days of cinematography, with all of the heightened drama of the silent film.
References:
Fig 1: Photograph from Sarah Moon's Little Red Riding Hood 1983 http://www.style.com/culture/style-map/2014/sarah-moon-little-red-riding-hood-book
Fig 2 Photograph from Sarah Moon's Little Red Riding Hood 1983 http://gem-a-day.blogspot.co.uk/2010/04/le-petit-chaperon-rouge-ii.html
Fig 3 Photograph from Sarah Moon's Little Red Riding Hood 1983 http://samantatamborini.blogspot.co.uk/2012/11/samy-in-wonderland-firstepisode.html
http://en.wikipedia.org/wiki/Sarah_Moon
http://www.photoeye.com/bookstore/citation.cfm?catalog=ZC129&i=&i2=
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